John Shinnors


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John ShinnorsThe contemporary Irish abstract landscape artist and genre scene painter John Shinnors was born in Limerick in 1950. He studied drawing and fine art painting at the Limerick School of Art and Design, and during his career has enjoyed regular solo exhibitions throughout Ireland as well as a wide range of group exhibitions. He is a member of Aosdana.

As a painter, John Shinnors is primarily a landscape artist whose focus has become increasingly abstract. Typically, he creates several preliminary watercolour studies before executing his large scale oil painting works, usually on stretched linen or cotton. His paintings, which also include interior scenes, exhibit rich chiaroscuro qualities and dramatic contrasts between light and dark.

John Shinnors’ artworks have appeared in one-man exhibitions in many galleries, including: Goodwin’s Gallery, Limerick (1978); Belltable Arts Centre, Limerick (1984); Taylor Galleries, Dublin (1998); Taylor Galleries, Dublin (2000);Crawford Art Gallery, Cork, (Travelling) (2003); The Hunt Museum, Limerick (2003); The Hunt Museum, Limerick (2004); Taylor Galleries, Dublin (2004); Crawford Municipal Art Gallery, Cork (2005); Vangard Gallery, Co. Cork (2003). In addition he has shown at numerous Royal Hibernian Academy (RHA) and Oireachtas shows.

John Shinnors 2John Shinnors’ work is represented in many public and private collections such as: Arts Council of Ireland; National Self Portrait Collection, University of Limerick; Office of Public Works; AIB (Allied Irish Banks); Ulster Museum, Belfast; Limerick City Gallery of Art (includes National Collection of Contemporary Drawing). He was the subject of the RTÉ1 documentary “Split Image John Shinnors”. He is also involved in the promotion of the arts through the Shinnors Scholarship. He lives and works in Limerick.

The highest price paid at auction for a painting by John Shinnors was recorded in 2008, when his work, entitled Estuary Forms – Limerick, was sold at Morgan O’Driscoll, in Co Cork, for €70,000.


Louis le Brocquy, HRHA (1916-2012)


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Louis le Broquy 2The Dublin-born artist Louis le Brocquy is recognised both in Ireland and around the world as one of the great Irish artists of the 20th century. A master of painting (in figurative and abstract genres), illustration, printmaking, tapestry design and set design, his prodigious work has received widespread international praise during a career spanning seventy years. Awarded the Premio Acquisito Internationale for his painting A Family, which was later included in the historic exhibition ‘Fifty Years of Modern Art’ at Brussels, World Fair 1958, le Brocquy is widely acclaimed for his portrait art, notably his series of Heads of literary figures and fellow artists, which include William Butler Yeats, James Joyce, and his friends Samuel Beckett, Francis Bacon and Seamus Heaney.

In addition, his earlier Tinker subjects and Grey period pictures have attracted enormous attention in the international and Irish art market, propelling him into the top group of four modern painters of Ireland and Britain along with Francis Bacon, Lucian Freud and David Hockney. At home, Le Brocquy was one of the few painters to be included in the Permanent Irish Collection of the National Gallery of Ireland.

Le Brocquy first studied chemistry at Trinity College, Dublin, before entering the family business in 1934. Four years later, he left Ireland for two years to study paintings by the great masters in the National Gallery (London), the Louvre Museum (Paris), Venice and Geneva. He returned to Ireland in 1940, to begin a career as a self-taught artist. Along with other contemporary Irish artists, such as Mainie Jellett (1897-1944), Evie Hone (1894-1955), Nora McGuinness (1901-80), and others, he was a founder-member of the Irish Exhibition of Living Art in 1943. Three years later, in 1946, he moved to London where he had his first solo exhibition in 1947. In 1958, he married another Irish artist, Anne Madden, and settled in the south of France.

Louis le BrocquyLe Brocquy’s prodigious painting career has included seven overlapping periods: his Tinker paintings 1946-1948; his Grey Period 1950-1956; his White Period 1956-1966; his Head Series 1964-2006; his Procession Series 1984-1992; his Human Images 1996-2004; and latterly his Homage Paintings 2005-2006, which commemorate some of his favourite predecessors such as Velazquez, Francisco de Goya, Paul Cézanne and Edouart Manet.

In addition, his still-life painting includes: Still life with Book and Penny (1941); Still life with Apples (1951); Study for Flowers (1953); Still life with Grapes (1955); Fruit Now and Then (1970), Fruit in the Hand (1974).

He was a keen student of the Renaissance paintings of Titian (1485-1576), as well as the nineteenth century French artists Edgar Degas (1834-1917) and Edouard Manet (1832-1883). Above all, he was inspired by the great Spanish painters El Greco (1541-1614), Velázquez (1599-1660) and Goya (1746-1828) for their use of whites and greys.

A major focus of Le Brocquy’s art is the human face and head, which he sees as merely the physical iceberg-like manifestation of the spirit which lies beneath. In these pictures, he tries to (as he says) “paint the head image from the inside out”, in order to convey the potential reality of the interior being.

During his long career, Le Brocquy illustrated the work of numerous Irish writers, including Seamus Heaney and Samuel Beckett, as well as Thomas Kinsella for whose translation of The Táin Le Brocquy produced a range of celebrated lithographic brush drawings. Other works illustrated by Le Brocquy include The Playboy of the Western World by J.M. Synge (1970); The Gododdin by Desmond O’Grady (1977); and The Dubliners by James Joyce (1986). In addition, he created the set and costume design for Asmus’s critically acclaimed 1988 production of Waiting for Godot, at the Gate Theatre, Dublin.

In addition to his mastery of painting, printmaking, illustration and set-design, Le Brocquy was also a world class designer of tapestry art. Indeed, in the opinion of some critics he was a seminal figure in the rebirth of this art form. First introduced to the medium in 1948, as a result of an invitation by the Edinburgh Tapestry Weavers, he later collaborated with the long-established French company Tabard Frères & Soeurs to produce tapestries like: Travellers 1948, Allegory (1950), the Eden series (1951-52), the Inverted series (1948-99), the Cúchulainn series (1973-1999), and the Garden series (2000). Examples of Le Brocquy’s tapestries can be viewed in several art museums including the Irish Museum of Modern Art and the National Gallery of Ireland.

Today, Le Brocquy is regarded as one of the most innovative representatives of visual art of Ireland. His works have been shown in some of the best art museums in North America, Japan, Australia, France, Spain, Belgium, Slovenia and Mexico, and have been the subject of retrospectives in a number of major galleries, including the Irish Museum of Modern Art (1966). His paintings are represented in many public collections, such as New York’s Guggenheim Museum and the London Tate.

Le Brocquy was an elected Saoi of Aosdana, and in 2007, he was conferred with The Freedom of the City of Dublin, the highest award the City can bestow. He died on April 25, 2012.

The auction record for a work by Louis Le Brocquy was set in 2000, when his oil painting, entitled Travelling Woman with Newspaper (1947), was sold at Sotheby’s, in London, for £1,158,500. Note: In 2002, Louis Le Brocquy’s masterpiece A Family (1951) was sold by private treaty for £1.7 million

Francis Bacon (1909-1992)


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francis-bacon-screaming-popeFrancis Bacon (1909-1992) was an Irish figurative painter, influenced in his earlier years by Picasso and surrealism, whose unique expressionist style of painting, which emerged during the 1950s, featured pictures of people screaming or in pain, often portrayed inside bathrooms or cages. His tortured, nightmarish imagery projected a world of violent and shocking humanity. His talent as a modern expressionist artist blossomed alongside a shambolic personal life, marked by extreme sensuality, gambling and alcoholism. Even so, he was one of the most famous figures in Irish painting and a unique figure in the history of Irish art.

Francis Bacon was born in Dublin. His parents were English and moved several times between England and Ireland. A shy asthmatic child with an effeminate manner, Bacon had little formal schooling, or instruction in either drawing or painting, being taught instead by private tutors. In his late teens, his effeminacy led to the beginning of a lifetime of gay encounters with rich men, many of whom would contribute financially to his career as a painter.

Bacon’s first artistic successes were as a designer of furniture, rugs and interiors, although he maintained his interest and activity in fine art, being particularly stimulated by Picasso’s Neo-Classical drawings as well as his paintings like Les Baigneuses and Le Baiser. In 1933 he achieved his first real sale when his oil painting Crucifixion (1933) was bought by Sir Michael Sadler. In 1934 Bacon staged his first solo exhibition – “Paintings by Francis Bacon” – at the new Transition gallery, displaying seven oils and half a dozen gouache compositions. For a while he painted comparatively little after his solo show in 1934, and destroyed many of the canvases he did complete during the 1930’s and early 1940’s. Not until 1944 did be begin to paint intensively again.

The oil and pastel painting Three Studies for Figures at the Base of a Crucifixion (1944) heralds the beginning of his mature style and includes elements that he returned to many times, such as: the triptych format, the open mouth, and the distorted imagery. When first exhibited in 1945, the painting caused a sensation, and established Bacon among art critics as a major (if controversial) exponent of modern art. Bacon followed this with another masterpiece, Painting (1946).

Francis Bacon 2In 1949, Bacon’s series of six paintings (Head I to Head VI) were exhibited at what was, in effect, a one-man show at the Hanover Gallery. with Study from the Human Body (1949) and Study for Portrait (1949) formed the core of the show with four other paintings by Bacon. His first solo show outside Britain was held in 1953 at Durlacher Brothers, New York, and his first retrospective was held at the Institute of Contemporary Arts, London, 1955.

Another landmark painting was his Study after Velazquez’s Portrait of Pope Innocent X (1953) which is a distorted version of the Portrait of Innocent X (1650, Doria Pamphili Gallery, Rome) painted by Diego Velazquez. The painting is one of 45 variations of the Velazquez picture which Bacon executed throughout the 1950s and early 1960s. When quizzed as to his interest in the subject, Bacon said he merely wanted an excuse to use purple colours without being accused of being a Fauvist.

In 1962, the London Tate Gallery staged a Francis Bacon retrospective, which travelled to Germany, Italy, Switzerland and the Netherlands. Other significant exhibitions of his paintings were held at the Solomon R. Guggenheim Museum, New York (1963); the Grand Palais in Paris (1971); the Metropolitan Museum of Art, New York (1975); the Hirshhorn Museum and Sculpture Garden, Washington, D.C. (1989); the Museum of Modern Art, New York (1990); and the Musee National d’Art Moderne, Paris (1996).

Bacon died from a heart attack on April 28, 1992, in Madrid, Spain. After his death, the contents of his chaotic studio at 7 Reece Mews, South Kensington, were donated to the Hugh Lane Gallery in Dublin.

Most Expensive Paintings By Francis Bacon include the following:

Three Studies of Lucian Freud (1969)
Sold by Christie’s New York, in November 2013, for $142 million. The world’s most expensive painting.

Triptych (1976)
Sold at Sotheby’s New York in 2008 for $86.3 million.

Three Studies for a Portrait of John Edwards (1984)
Sold at Christie’s New York in 2014 for $80.8 million.

Portrait of George Dyer Talking (1966)
Sold at Christie’s London in February 2014 for $70 million.

Study After Velazquez’ Portrait of Innocent X (1953)
Sold for $52.6 million at Sotheby’s New York, in 2007.

Three Studies for a Self Portrait (1985-6)
Sold for $34.4 million at Christie’s London in 2008.

Version No 2 of Lying Figure with Hypodermic Syringe (1968)
Fetched $19.3 million at Christie’s auction, New York, in 2006.

Crouching Nude (1952)
Sold for £8.3 million (Sotheby’s London, June 2011)

Study from the Human Body, Man Turning on the Light (1973)
Bought for £8 million at Christie’s London in 2007.

Portrait of George Dyer Staring into a Mirror (1967)
Fetched £4.9 million at Christie’s London, in 2005.

Brian Bourke


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Brian Bourke 2Renowned for his landscapes and his draughtsmanship as well as his series of humorous self-portraits comparing himself to Don Quixote, Brian Bourke was born in Dublin in 1936.

He studied at the National College of Art and Design in Dublin, and at St. Martin’s School of Art in London. In 1964, he held his first solo exhibition in Dublin.

In 1965, he was chosen to represent Ireland in both the Biennale de Paris and the Lugano Exhibition of Graphics.

In the same year he won the Arts Council prize for portraiture and then, in 1967, won first prize in the Irish Exhibition of Living Art competition.

A regular exhibitor at the Dawson and Taylor Galleries in Dublin, and at art galleries in Switzerland, England and America, his paintings were included in the Delighted Eye, the Hibernian landscape and the Cork Rosc exhibitions in 1980.

Brian BourkeIn 1985, the Sunday Independent newspaper named him Artist of the Year, and in 1993 he received the O’Malley Award from the Irish-American Cultural Institute.

In 1991, he was appointed artist-in-residence at the Beckett Festival in the Gate Theatre, Dublin, while his accompanying works appeared at the Douglas Hyde Gallery.

In 2001, a large exhibition of his portraits of women, centred around portraits of his son’s adopted daughter, appeared at the Dyehouse Gallery in Waterford. He lives in County Galway. Brian Bourke’s paintings appear in many important collections throughout Ireland and worldwide. He is an elected member of Aosdana.

The auction record for a work by Brian Bourke was set in 2004, when his oil painting entitled Those Girls, Those Girls, Those Lovely Seaside Girls(Dyptich) was sold at DeVeres, Dublin, for €26,000.

Robert Ballagh


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Robert BallaghThe Irish painter and designer Robert Ballagh was born in Dublin in 1943. A graduate of the Dublin Institute of Technology in architecture, he worked as an engineering draughtsman, a musician and a postman before taking up fine art painting full-time at the age of 24.

Pop-art is a major influence on Ballagh’s style of painting, and his artworks can be humorous as well as didactic.

As in the case of many artists, Ballagh was obliged to combine fine art with more commercial design activities. Using his graphic design skills, he produced over 70 stamps for An Post, as well as a series of Irish banknotes (“Series C”) for the government just prior to the introduction of the euro.

Ballagh also produced a wide range of murals, posters, limited prints and book covers. His theatre and set designs include works for “I’ll Go On”, Gate Theatre (1985); Samuel Beckett’s “Endgame”, Gate Theatre (1991); the Riverdance company; Oscar Wilde’s “Salomé”, Gate Theatre, Dublin (1998); and the opening ceremony of the Special Olympics in Croke Park, Dublin (2003).

Ballagh represented Ireland at the Paris Biennale Exhibition in 1969, and at numerous exhibitions in Europe and overseas, such as Florence, Ljubljana and Tokyo. Ballagh’s paintings are held in several public collections of Irish painting including the National Gallery of Ireland, the Hugh Labe Gallery, the Ulster Museum, Trinity College Dublin, and Nuremberg’s Albrecht Durer House.

Robert Ballagh 2Major exhibitions of his work have been staged in various European galleries, including Lund, Warsaw, Sofia and Dublin.

Ballagh was elected the first chairman of the Artists’ Association of Ireland (Aosdana) on its foundation in 1981, and is a fellow of the World Academy of Art and Science. Ballagh is married to Elizabeth Carabini in 1967 and has two children.

The auction record for a work by Robert Ballagh was set in 2004, when his interior painting, entitled My Studio (1969), was sold at Whytes, in Dublin, for €96,000.

Conor Fallon (1939-2007)


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Cono Fallon 2An influential exponent of contemporary  Irish sculpture during the late 20th century, Conor Fallon was strongly influenced by the artist Toney O’Malley and the St Ives group of artists in Cornwell where he lived for some time. His most recognizable works were large steel sculptures of birds, hares, horses and fish.

Fallon was born in Dublin in 1939, one of six sons to the poet Padraic Fallon. The family soon moved to Wexford where the children shared the management of the farm, while their father worked as a customs official. The house was always full of visitors including writers, musicians and painters. As a child Fallon was fascinated by wildlife, especially birds, and often copied pictures from Archibald Thornburn s Book of Birds. He recalled later that his older brother Brian (who became an Art and Literary critic for the Irish Times) was a significant influence on him by introducing him to stories from the Odyssey.

Fallon was accepted into Trinity College, Dublin to study natural science. But on the advice of a perceptive professor, Fallon soon left Trinity and turned his attention to fine art. His father was horrified because he believed his son’s paintings to be ‘dreadful’. Ever practical, Fallon worked as an accountant during the day to earn a wage, and studied art by night. His early acrylic and gouache landscapes show strong influences ofJack B Yeats.

Wexford co co art purchases for 06-Conor Fallon  Crow Bronze Sculpture

In 1964 Fallon went to St Ives to see the artist Tony O’Malley, who was a family friend and had settled there a few years previously. He had hoped to study with the abstract landscapist Peter Lanyon, but on the day of his arrival, Lanyon died from injuries he received in a hand gliding accident. Instead, Fallon was introduced to a pupil of Lanyon – the artist Nancy Wynne-Jones, who was 15 years his senior. They felt an instant connection and were married in 1966. By this time, he had become disillusioned with his paintings, most of which he destroyed.

A turning point in his career came when he was introduced to the sculptors Denis Mitchell and Breon O’Casey who took Fallon under their wing. Mitchell in particular instilled a disciplined work ethic in Fallon, insisting that the last 100th of an inch was essential to the integrity of a piece. When Fallon created an Owl In Aluminium (1969) Mitchell advised him to specialize in sculpture.

Fallon held his first exhibition in 1972, in Nanly Orion. Subsequent solo exhibitions were staged in the Emmet Gallery, Dublin (1975), Taylor Galleries, Dublin (1983, 1990, 1993), Ballinglen Arts Fellows at Art Alliance, Philadelphia (1994) and the Theo Waddington Fine Art, Canada.

Although Fallon initially gained recognition for his smaller sculptures of birds, he later confessed he was unable to see how he could convert them into public sculptures without the risk of distortion. He eventually became better known for his large scale steel sculptures, mainly commissioned for public places such as Enniscorthy Bridge (The Singing Bird, (1993) the Bank of Ireland Centre, Independent Newspapers at Citywest, St Patricks Hospital and University College Cork. His works have a sleek, spare beauty with clean lines. He was also influenced by Cubism, which he considered ‘the’ development in the art of the 20th century. He was also influenced by the Romanian Sculptor Constantin Brancusi, as well as early Greek and Egyptian carved figure sculpture.

Fallon was awarded the Oireachtas Gold Medal for Sculpture in 1980, he was elected to Aosdana in 1984, and he became an Associate Member of the Royal Hibernian Academy in 1981 and a full Member in 1989. He was awarded an Honorary Degree from the National College of Art and Design in 1993.

He died within one year of the death of his beloved wife Nancy, in County Wicklow, and is survived by their 2 children.


Evie Hone (1894–1955)


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Evie Hone 2The Irish Cubist painter and stained glass artist Evie Hone was born in Dublin. One of the earliest abstract painters in the history of Irish art, she was the great-great-great granddaughter of Joseph Hone, a brother of the portrait painter Nathaniel Hone the Elder RA (1718-1784) and father of two other portraitists Horace Hone (1756-1825) and John Camillus Hone (1759-1836). Struck by infantile paralysis, Evie suffered from lameness the rest of her life.

After studying drawing and painting at the Byam Shaw School of Art in London, Evie Hone continued her studies at the Westminster School of Art under Walter Sickert (1860-1942), where she met her lifelong friend and fellow artist Mainie Jellett (1897-1944).

From London, the pair continued studying in France, first under Andre Lhote, then under Albert Gleizes, the great Cubist theorist. At this time, Evie Hone concerned herself with portraits, landscapes and (increasingly) abstract pictures.

Returning home, Hone and Jellett held a joint exhibition at the Dublin Painters Gallery, largely featuring their new and highly abstract art. The critics were not impressed with the non-representational qualities of the paintings displayed, and were baffled by their abstraction.

After a short break, Evie Hone continued studying with Gleizes. Both she and Jellett joined the Abstraction-Creation group of artists, who specialized in geometric abstraction – or, concrete art – and had their paintings published in the group’s Parisian magazine. Both Irish artists then submitted their paintings to the Salon d’Automne, the Salon des Surindependants and the Salon des Independants. Evie also submitted to the Water Colour Society of Ireland (WCSI) and during the years 1930-1945 had more than 40 works displayed. Of these, roughly 15 were for stained glass.

Evie HoneFrom hereon, Evie’s main artistic preoccupation was with stained glass art. She first joined Sarah Purser’s studio – the stained glass co-operative An Túr Gloine – before setting up a studio of her own in Rathfarnham and becoming influenced by the great Harry Clarke.

Over the next twenty years, she undertook a number of commissions and left an impressive legacy of artwork in this genre. Evie Hone’s most important works are the Crucifixion and Last Supper windows at Eton Chapel, Windsor (1949-1952) and “My Four Green Fields”, now located in Government Buildings.

Evie Hone was a founder member of the Irish Exhibition of Living Art (IELA). In 1958, University College Dublin staged a memorial exhibition of her Irish painting, drawing and stained glass designs, which attracted a record attendance. In 2005-6, the National Gallery of Ireland held an exhibition of her works.

The auction record for a work by Evie Hone was set in 2005, when one of her stained glass masterpieces – entitled, Stations of the Cross, for Kiltullagh Church, County Galway – was sold at Whyte’s, in Dublin, for €42,000.

Brian Ballard


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Brian Ballard 2The Irish colourist, genre painter and landscape artist Brian Ballard was born in Belfast in 1943, where he studied drawing and painting at the College of Art (1961-1964), and afterwards at the Liverpool College of Art (1964-1965). In 1968, he took up a post with the Arts Council of Northern Ireland. In 1970, he won the Carroll Prize in the Irish Exhibition of Living Art.

Ballard’s paintings are noted for their rich colours and bold brushstrokes, while sometimes he repaints the same scene several times to portray its differing moods.

A virtuoso master of light and shadow, Ballard has developed a palette with the highly evocative pigments midnight blue and aqua marine, laying down thick strokes of paint that bring great depth and expression to his canvases.

His artworks have appeared in many solo and group exhibitions at art galleries throughout Ireland and the UK, such as Gormleys fine art.

Brian BallardHis solo shows include: Queen’s Gallery, Belfast (1970); Tom Caldwell Gallery, Belfast (1972,74,82,83,87,94); Bell Gallery, Belfast (1976); Image Gallery, Dublin (1977,80); Newry & Mourne Arts Centre (1985); Grafton Gallery, Dublin (1986); Main Fine Art, Glasgow (1986); Solomon Gallery, London (1987,88,96,98); Beaux Arts, Bath (1987,89,91); Kerlin Gallery, Derry (1988,90,91,94); Grafton Gallery, Dublin (1989); Mistral Galleries, London (1990); Waterman Fine Art, London (1992); Cadogan Contemporary, London (1993,95); Trist Ann’s Gallery, Dundalk (1995); Cadogan Contemporary, London (1998); Trist Ann’s Gallery, Dundalk (1999); The Kenny Gallery, Galway (2001, 2003).

Brian Ballard’s artwork is represented in An Chomhairle Ealaion, the Arts Council of Northern Ireland Collection, the P J Carroll and Co. Collection, Jefferson Smurfit Group Plc, Crawford Municipal Art Gallery, Cork, the University of Ulster and the Ulster Museum, Belfast Education and Library Board, Royal Bank of Scotland, Guinness Peat Aviation, Waterford Crystal Plc, C.R. Sugar Trading, Conrad International Hotel Dublin, Irish Intercontinental Bank, and others.

The auction record for a work by Brian Ballard was set in 2004, when his oil painting entitled My Studio, 1969 was sold at Whytes, Dublin, for €96,000.

Felim Egan


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Felim EganThe contemporary abstract painter Felim Egan was born in Strabane, County Tyrone in 1952. He studied painting and drawing in Belfast and Portsmouth before attending the Slade School of Fine Art in London, after which he began exhibiting in the late 1970s. He also studied for 12 months at the British School at Rome in 1980 before returning to Dublin. One of Ireland’s most respected exponents of abstract art, his paintings are carefully built up in layers of thin colour with stone powder ground into the acrylic. His visual vocabulary includes the use of hieroglyphic-type motifs over monochromatic areas of colour, evoking long horizons, big skies and empty sands.

Felim Egan represented Ireland at the Paris Biennale in 1980 and the Sao Paulo Biennale in 1985, and has enjoyed more than 55 solo shows throughout Europe and the USA since 1979. Major exhibitions of his artworks were held at the Whitworth Art Gallery, Manchester and the Irish Museum of Modern Art, Dublin in 1995-96, and at the Stedelijk Museum, Amsterdam in 1999. He was awarded the Premier UNESCO Prize for the Arts in Paris in 1983, and in 1997 he received the Gold Award at Cagnes-sur-Mer. Egan has received several large scale commissions, including works for Dublin Castle and the National Gallery of Ireland. In addition, he recently completed a large scale sculpture at Cork Street, Dublin, October 2005. He is also a member of Aosdana.

Felim-Egan 2Felim Egan’s work is represented in numerous collections both public and private, including those of the Irish Museum of Modern Art, Dublin; Hugh Lane Gallery; An Comhairle Ealaion/Tha Arts Council; Trinity College, Dublin; University College Dublin; Office of Public Works; Conrad Hotel; Irish Life, Dublin; Allied Irish Banks; Bank of Ireland; Aer Lingus; A & L Goodbody Ltd, Dublin; Gate Theatre; Kilkenny Castle, Kilkenny; Guinness Peat Aviation, Shannon; the Arts Council of Northern Ireland; Ulster Museum, Belfast; North West Arts Trust, Derry; Ardhowen Theatre, Enniskillen; Scottish National Gallery of Modern Art, Edinburgh; The British Library; Frtiz-Winter-Haus, Moderne Kunst Museum, Ahlen, Germany; Stedelijk Museum, Amsterdam; the European Parliament; Metropolitan Museum of Modern Art, New York; and others.

The auction record for a work by Felim Egan was set in 2007, when his abstract painting, entitled Intertidal Note, was sold at DeVeres, in Dublin, for €19,500.

Brian Maguire


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Brian MaguireThe Irish expressionist painter Brian Maguire was born in County Wicklow. He studied drawing and painting at the Dun Laoghaire School of Art, and fine art at the National College of Art and Design (NCAD) in Dublin. A gifted student and artist, Maguire was appointed Professor of the Fine Art faculty at NCAD, in 2000.

Brian Maguire’s expressionistic drawings and paintings (as well as his video, photography, and poster artworks) deal with themes of physical and political alienation. His focus on marginalized or disenfranchised groups has led him to work at a number of prisons, hospitals and other institutions in Ireland, Poland, and the USA, including: Mountjoy Jail, Dublin, Portaloise Jail, Spike Island, Co. Cork, Fort Mitchell Prison and Bayview Correction Center, New York. His recent paintings have also been inspired by American and world political events.

A former member of the Independent Artists Group, Maguire has exhibited extensively throughout Europe, America and Japan. He represented Ireland at the 1998 Sao Paulo Bienal, and created the “Casa de Cultura” series based on people from that city’s slums. Maguire has also enjoyed a number of successful solo exhibitions, including Lincoln Gallery, Dublin (1981); Triskel Gallery, Cork (1982); Irish Pavilion, Leeuwarden, Netherlands (1990); Kerlin Gallery, Dublin (2001); Fenton Gallery, Cork (2003). In 2000, The Hugh Lane Gallery in Dublin hosted a major retrospective for Maguire, which travelled to the Crawford Art Gallery in Cork and the Contemporary Art Museum of Houston, Texas. Maguire also won the Irish-American Cultural Institute’s O’Malley Art Award in 1990.

Brian Maguire 2Maguire’s paintings and other artworks are represented in collections including: the Irish Museum of Modern art, Hugh Lane Municipal Art Gallery in Dublin, University College Dublin, Office of Public Works (OPW), Crawford Municipal Gallery Cork, the Alvar Aalto Museum in Finland, and the Gemeentemuseum in the Hague, Netherlands.